This post was all ready to go yesterday and I plain forgot! Oops, well it is a bank holiday… British Pathé recently uploaded a ton of videos from their archive to their You Tube channel. There’s loads of stuff to see, including this amusing ’60s demo of a haircut based on the Twist and the frankly weird compilation of rough cuts from an 1998 Evening Standard advert. Perfect for whiling away a lazy bank holiday afternoon!
The media attention on Britain and more particularly London’s housing crisis has only recently reached a tipping point, but James Meek in London Review of Books a few months ago was on the money with this article which explores the reasons behind the shortage in housing.
On a slightly less serious note, I’m loving Miss Moss’ feature on Gift Shop Brooklyn’s totes and accessories, the dreamy pastel colour palette is perfect for spring and early summer. Just need it to heat up now dammit!
The lovely Fiona who I hung with in Gothenburg has penned (keyed?) a brilliant letter to her 17-year old self. Got me thinking what I would say to Past Times me.
Gothenburg was another exciting chance to catch up with and Internet Friend, namely the amazing Fiona who had just made the move over a few weeks ago. Some people I’ve met through blogging have become IRL friends and Fiona is one of those people, a total meeting of moron minds, she’s so lovely and has an awesome sense of humour. We spent the couple of days I had here brunching and snacking, having laughs and seeing the town. I met her lovely new work pals and she showed me some mega things like the place to get best doughnuts, a really big branch of Cos and an amazing shop called Grandpa. Oh and I made a gif of her awesome moves, naturally.
I tried pretty hard, but on tour it was difficult to eat the right things all the time. Venue catering, with the exception of some really top notch places like Munich (thanks for the celeriac and turnip crudités!) consisted of a baseline of cold cuts and cheese. That’s what’s on the rider so that’s what they’re going to put out, but things like salad, sushi or guacamole are often an afterthought and when you’re tired (often) hungover (often) or just lazy (always) it’s a damn old sandwich that you throw down your throat.
Now that I’m at home and master of my own fridge destiny I’m going on a sorta kinda detox. Named because I don’t really believe in quick fixes or diets, but a sorta kinda detox is more of a kick start to healthy eating. I’m giving up cheese and meat and trying to steer clear of fish most of the time. You know, sorta kinda.
When I was at university, a small budget and interest in nutrition heralded what my friends jokingly refer to as ‘the Buckwheat Years’. Boy did I eat healthily, kind of like a hippy monk – I remember the time my sister and her friend visited and I made them this weird purple red cabbage and you guessed it, buckwheat soup. I also drank like a fish fairly frequently, but this is a no shame zone so whatever. It was mostly veggie, a lot of wholegrains including buckwheat obviously and a ton of herbs to flavour rather than salt or stocks.
I may have gotten a bit waylaid since, but I want to reclaim some of the Buckwheat Years. It was all about simple, healthy, tasty food that kept you filled up, I never felt like I was deprived of anything. Hope you enjoy some of the recipes I’m going to be concocting, I haven’t really cooked for two months so this will be exciting!
Here’s a healthy recipe to kickstart this sorta kinda detox. I made it up with what was in my cupboards and happily, it turned out really nice. It’s a super quick, crunchy, tasty bowl of noodles that you serve warm, perfect for tentative spring days. The silken tofu adds a lovely creaminess but if it makes you ralph you can leave it out, although the mix of textures makes it more palatable for Western appetites. Chopping the kale finely means you get the green flavour with none of the curly mischief, it’s not a terrible thing but sometimes you don’t want curly mischief in your mouth.
Soba noodle bowl with omelette, tofu, kale and sichuan peppercorns.
Ingredients (for two)
two bunches of soba noodles
half a packet of silken tofu
two handfuls of kale, chopped finely
two carrots, peeled and grated
tablespoon of sichuan peppercorns
Put water on to boil and start chopping the kale finely and grating your carrot. Put the soba noodles in a pan of your boiled water and set to a gentle rolling boil. Quickly beat the egg and pour into a saucepan to make a very fine omelette, you want this to be well cooked so you have a slight crispness to it. Once that is done remove and roll up on your chopping board. At this point you’ll want to chuck the kale into the noodles for a minute before draining the whole lot. Soba noodles can be tricky but if you make sure to rinse in cold water once cooked they’re usually fairly accommodating.
Slice the rolled omelette into thin strips and then along the length so you get half-strips. Diagonally chop a couple of spring onions and fry in the omelette pan with sichuan peppercorns and sesame seeds. Return the soba noodles and kale to the pan and gently heat with sesame oil, fish sauce and soy sauce. When warmed through stir in the grated carrot and split into two bowls. Add the tofu and egg and then the hot spring onions. Drizzle on some Sriracha to taste and enjoy!
Btw I am totally human so if I cave and eat a burger don’t get mad. No shame zone, remember.
One of the perks of being a freelancer, last Friday I downed my laptop like it was the weekend and headed west to Kew Gardens. It’s one of those London things that unless you’re a tourist you wouldn’t bother doing, but it’s a totally life-affirming thing. It came up as a ‘what’s a lovely thing we can do?’ idea. I was really busy and I considered postponing, but then you can always end up putting off the good stuff while life passes you by.
It was a lovely sunny day with a few spring clouds, but definitely warm enough for ice cream. The spring blossom is out in full effect, it was so beautiful I nearly cried because I’m that much of a baby. Honestly at this time of year when everything is just coming back to life and nature is waking up, it’s enough to make Ross Kemp feel emotional. There was lots of amazing things to see, like the awesome tropical flowers in Palm House and the slightly terrifying rooftop walk, but the best by far was a peacock just bossing it out round by the Temperate House. If you ever need to see a perfect example of a catwalk strut look at a peacock, they just ooze Naomi Campbell cool. Nature, man!
Some art is like a bit of research, or it’s like getting an idea or a concept and then some art is just very simply great. The new Matisse Cut-out exhibition coming to the Tate Modern this weekend is just that, a joyful and expert celebration of colour and shape. Starting off as a way of mapping paintings, his cut-out collages ended up as works in themselves, some of his most famous pieces like the Snail and the Sheaf aren’t paintings but assembled bits of paper. It’s so much more than that though, through the eyes of an artist known for his use of colour and composition these collages really show what a trained eye can accomplish with something very humble.
It’s a great lesson to anyone that creativity doesn’t have to mean gold leaf or the most expensive fabrics. In a way, the sketches and collages are more interesting to me than the paintings, perhaps it’s like how I might sometimes prefer a designer’s pre-fall collection to their Fall one, without the pressure there’s room for happy accidents and bits of humanity slipping through the creative cracks.
This is the perfect post-winter exhibition, the dancing shapes and colours are so animated. There’s a real sense of joy in these cut-outs, the stubborn happiness of someone whose youth is behind them. Anyone who has ever been interested in print, pattern or colour would definitely benefit from the rush of blood and inspiration.
Hamburg was the day that I really went for broke with the sightseeing; Silke, the lovely German promoter, sent me a whole list of things to see in her hometown. I was really getting into the rhythm of the tour, cannily taking a shower in the venue after the gig, so I could be clean(ish) enough for a wander as soon as we arrived our next destination the following day. After a quick nibble at the catering in the dressing room, I walked over to the train station and headed to Blankese, a beautiful small town by the sea near Hamburg. It’s a dream place for a holiday, with lots of cute little houses dotted around the hills. I walked along the seafront and then treated myself to an ice cream in the sun before the ascent back into town.
Then, feeling quite proud of my intrepid-ness, I hopped back on a train and then took the bus to Neumühlen, where the Altona Fishmarket is. It’s a lovely walk, Hamburg Port is just across the water with huge freight tankers and shipping containers, while on the Altona side it’s all quaint houses and little boats. It’s the perfect place to stop and have a fish roll and glass of something in the sun.
Apart from a bus ride through the wonderfully gaudy St Pauli district -with its sex shops that I can never believe are still going, haven’t these people heard of the internet?!- I didn’t see that much of Hamburg itself but it’s definitely one of the places I’d like to return to. The Altona area where our venue was situated had lods of little cobbled streets and cute shops that demand another visit.
So this is the first Sunday Sundries since I went away on tour, I still miss my cosy little bunk but I’m glad to be back. Looking forward to many things, namely Matisse’s Cut Outs at the Tate and the Chris Marker retrospective at the Whitechapel -the director of La Jetée- as well as Play What’s Not There, at Raven Row -one of my favourite galleries. Closer to home is Welcome To Iraq, a restaging of the Venice Biennale’s National Pavilion of Iraq (which I missed when we visited the Biennale last year) at South London Gallery. Even though I work in a pretty unrelated field, I’m grateful for my Critical Fine Art Practice degree, a creative and visual training which still informs the work I do today.
You can tell I’m building up to something can’t you? This week Michael Rosen wrote an open letter to our new Culture Minister. The poet talks about how ambivalent we are as a country about ‘culture’ and quite rightly asks what someone like Sajid Javid is doing in the role. It does seem strange that an ex-banker -and one who worked somewhere that was fined for rate-fixing- should now be heading up this position.
I guess one of the simplest things you can do as a person to show art and culture matters is keep going to exhibitions, keep being counted as a bum on a seat or feet in a gallery. There is a demand and more importantly a need for non-essential services like galleries, museums and when funding for the arts has been slashed it’s important to show your participation. The richness of a country cannot just be counted economically.
Fashion hub Farfetch has teamed up with Muuse, a Danish site that scours the world for fresh and exciting graduate talent. Working together, Farfetch x Muuse is going to provide a platform for emerging designers to showcase and more importantly, sell their work. Being a total Dane-o-phile I jumped at the chance to quiz the Muuse team on their work, cool Copenhagen and new fashion and also got to put some questions to Farfetch CEO José Neves.
Dress, Eun-Jung Lee from Muuse Shoes, Chloe, from Biondini
José Neves, Founder and CEO at Farfetch: This collaboration really comes from the importance of harnessing and showcasing the creativity of new designers. Given the current economic climate, it’s a very difficult time for emerging designers to become sustainable but MUUSE offers those designers a platform of support and a retail opportunity that could begin to forge the foundations of a fashion brand.
We believe supporting emerging fashion talent is necessary in keeping the fashion industry interesting, fresh and diverse. MUUSE scours the globe for the best emerging talent, in the same way that Farfetch finds and curates new products from boutiques around the world, so it seemed like the perfect partnership. We’re extremely excited about this collaboration as Farfetch will be able to offer in Farfetch x MUUSE an international platform that exposes the designers’ pieces to an international customer.
Trousers- £201, Farfetch x Muuse, Jantine Van Peski, www.farfetch.com // Jacket- £284, Farfetch x Muuse, Jantine Van Peski, www.farfetch.com Shoes, Chloe, from Biondini
Gitte Jonsdatter, Co-founder and Director of Strategy at MUUSE
What are some of the attributes the MUUSE team look for in new designers?
We look for an original vision and something we’ve not seen before – an indication that this designer is a sign of the future.
What sort of practical assistance do you offer young designers, what kind of help do they most need?
We offer emerging designers help with the production and sales processes behind running a successful fashion label and also enable them to spend money each season on producing a set of collection samples and promoting the collection. Experienced brands are able do this because they have teams of specialists in production and sales, and have built up a sales network over time. MUUSE gives new designers the opportunity to have that kind of experience for free. We develop samples with the designers that meet the same quality standards as luxury brands. When retailers order from the designers, we have the capacity to produce the pieces in quantity – with each piece labelled with the MUUSE tag and the designer’s name. Designers are delighted to see their pieces sold in shops and boutiques, without the risk or expense that normally comes with retail.
Jacket and dress, Sara Lundberg from Muuse Shoes, Chloe, Biondini
Tell me more about why you’re joining forces with Farfetch?
With a knack for discovering hidden gems of great design and new talent, Farfetch x MUUSE brings some of the world’s most anticipated new talents to a global audience. We work with the designers to support them with their collections and Farfetch makes those collections accessible to customers from all over the world – it seemed like a natural partnership.
Who are the newest additions to the MUUSE roster and why were they picked?
Each season we look for a mix of international designers whose aesthetics are in some way complementary. Ece Gözen is an exciting new Turkish designer that we’ve been working with since Sara Maino (Senior Fashion Editor, Vogue Italia) selected her as winner of the 2012 talent competition we ran in collaboration with Vogue. In this collection for Farfetch x MUUSE, Ece layers couture references using fabrics that can go from the tennis court to cocktail party. Eun-Jung Lee recently launched with MUUSE – her unique combination of couture silhouettes with neoprene is both elegant and fresh.
Vest, Leggings and Long sleeved top, Sasha Nassar from Muuse Earrings, COOP, from Kabiri
How was the selection process for picking the Farfetch x MUUSE new designers? How long did it take?
Similarly to the way that Farfetch searches the globe looking for the world’s best boutiques, we look for the world’s next best designer. We’re invited to attend a lot of graduate shows and often take part in judging panels to discover new talent. We have a pretty good sense of the emerging designers that are out there and we keep a long list of potential designers to work with. The designers selected to be showcased on Farfetch have been chosen for
their individual and diverse collections that we’re sure will appeal to Farfetch consumers worldwide.
Copenhagen-ers are so stylish, what is it about Danes that gives them such good taste?
There is a long tradition of design and fine craft in Denmark that pervades daily life. People here have grown up with Wegner furniture and played with Kai Bojesen toys and even the traditional ‘smørrebrød’ cuisine is put together with an eye for colour and form contrast. I think when people grow up surrounded by great design, it is imprinted in them as well.
Jacket- £303, Farfetch x Muuse, Ece Gözen, www.farfetch.com // Jumpsuit- £318, Farfetch x Muuse, Ece Gözen, www.farfetch.com
How would you define Danish style?
Danish style is intelligent and sophisticated. Every element of a design has to fit and unify with the whole somehow – there is not a lot of superfluous ‘decoration’ and things tend not to be overstated.
What’s next for MUUSE?
We’re working on growing our network of international retail partners now – fashion is very personal, so it’s important that people are able to visually experience the colour, texture and feel of our collections, whether it be online or in a boutique.
With Berlin, I had the luxury of a town that I’ve been to a few times, so I didn’t feel the need to tick off a load of tourist things. It’s also where Miggy lives, which gave me the chance to hang out with an internet pal and party like it was 2008. With some of the band and crew, we pushed down hangovers with a huge feed-up in the sun and went out separate ways to run errands. I ended up getting my eyebrows threaded and having a pretty decent conversation in pidgin German with my Turkish threader.
Later that day, I did the boring task of going into town and buying a computer lead from the Apple store. 60E lighter and with the sun setting, I looked up restaurants near our Prenzlauer Berg hotel and found Herr Rossi, a totally charming Italian. Sometimes eating on your own can be a bit depressing, but reading my book with an Aperol spritz and veal ragu in such a lovely setting I couldn’t have been happier.
The next morning after an enormous room service breakfast I met up with Miggy and we took a train east to Muggelsee, one of Berlin’s many lakes. This is where it gets magic, Miggy knows an amazing restaurant/bar on the lake, where you have to ring a bell so the owner can punt along on his raft and pick you up. We spent a few blissful hours at the top of this house on the lake, soaking up the sun and drinking beers. If you’re in Berlin I definitely recommend this hidden spot, it was a totally unforgettable experience. Thanks Miggy!
That evening before the gig a few of us sloped off for the lovely dinner you can see at the bottom, I can’t remember the name of the place which is just as well as the service was extraordinarily rude. An insignificant blip in a lovely few days.
I took a fair few (read: a ton) beauty products on tour with me, but only one really stood out as a superhero. Ren’s Rosa Centifolia hot cloth cleanser fulfils the function of makeup remover very capably, gently getting rid of grime and cakey mascara and cloggy skin cells like it’s no big thing.
Where it really shines though, is calming and replenishing travel-weary, dry, irritated skin. I hate having dry skin, but a good layer of this cleanser, left to soak in while I brush my teeth or taking a shower, undoing all the damage of dry hotel rooms, late nights, tour bus air con and a few too many shandies, moisturising and soothing with a lovely rose fragrance. Its hydrating powers are so good that even when I was looking for my moisturiser in my handbag, day bag, overnight bag, oh god it’s in my suitcase in the bay under the bus- my skin would still be all quenched and soft after cleansing, it wasn’t the end of the world if I missed out moisturising. A lot of creamy rich cleansers leave you with the occasional spot but no such drawbacks with this one. I’ve actually just thrown away a few cleansers I had in my beauty stash, because this one works so well. Sayonara suckers, I’ve got a new best friend.